Massive Celadon Porcelain Vase by Miyanaga Tozan I
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Directory: Archives: Regional Art: Asian: Japanese: Pre 1920: Item # 1442789
Directory: Archives: Regional Art: Asian: Japanese: Pre 1920: Item # 1442789
Please refer to our stock # TCR8106 when inquiring.
The Kura
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23 Murasakino Monzen-cho
Kita-ward Kyoto 603-8216
tel.81-75-201-3497
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23 Murasakino Monzen-cho
Kita-ward Kyoto 603-8216
tel.81-75-201-3497
Guest Book
Sold, thank you!
Sold, thank you!
An incredibly large vase showing a blend of art-nouveau and traditional design motifs by Miyanaga Tozan I enclosed in the original signed wooden box. It is 46 cm (18-1/4 inches) tall and in excellent condition. This is perhaps one of the great examples of this artists work, blending elements of traditional Chinese, Japanese and European concepts into one breathtaking work.
Due to size the cost of shipping will be accrued separately
Miyanaga Tozan I enclosed in the original signed wooden box. Miyanaga Tozan I (1868-1941) is one of the most important names in Kyoto ceramics. He was born in Ishikawa prefecture, and graduated from the (now) Tokyo University of Art. While a government employee, he represented Japan at Arts Expositions, and studied art in Europe before returning to Japan in 1902 to devote himself to the production of ceramics, with great emphasis on celadon, one of the most difficult of all ceramic wares. He was direct teacher or mentor to a number of prominent artists including Kitaoji Rosanjin and Arakawa Toyozo.
An incredibly large vase showing a blend of art-nouveau and traditional design motifs by Miyanaga Tozan I enclosed in the original signed wooden box. It is 46 cm (18-1/4 inches) tall and in excellent condition. This is perhaps one of the great examples of this artists work, blending elements of traditional Chinese, Japanese and European concepts into one breathtaking work.
Due to size the cost of shipping will be accrued separately
Miyanaga Tozan I enclosed in the original signed wooden box. Miyanaga Tozan I (1868-1941) is one of the most important names in Kyoto ceramics. He was born in Ishikawa prefecture, and graduated from the (now) Tokyo University of Art. While a government employee, he represented Japan at Arts Expositions, and studied art in Europe before returning to Japan in 1902 to devote himself to the production of ceramics, with great emphasis on celadon, one of the most difficult of all ceramic wares. He was direct teacher or mentor to a number of prominent artists including Kitaoji Rosanjin and Arakawa Toyozo.