The Kura - Japanese Art Treasures

Robert Mangold has been working with Japanese antiques since 1995 with an emphasis on ceramics, Paintings, Armour and Buddhist furniture.
In accordance with the requests of local authorities our Kyoto gallery will be closed to visitors from April 14th until further notice.

Hakkuji White Ceramic Koro Incense Burner by Ito Tozan


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Directory: Vintage Arts: Regional Art: Asian: Japanese: Porcelain: Pre 1930: Item # 1436392

Please refer to our stock # TCR8035 when inquiring.
The Kura
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817-2 Kannonji Monzen-cho
Kamigyo-ku Kyoto 602-8385
tel.81-75-201-3497
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 $900.00 
A tripod censer in a blend of tradition and art-deco by Ito Tozan II. Ribs extend from the legs up the sides, adding a sculptural quality to the otherwise traditional form. It features a brass lid pierced with geometric designs accentuating the sense of modernity. Stamped on the base, it is 13 cm (5 inches) diameter and in excellent condition. It comes enclosed in the original signed wooden box.
Ito Tozan I (1846-1920) began as a painter in the Maruyama school studying under Koizumi Togaku. In 1862 he became a pupil of Kameya Kyokutei, as well as studying under Takahashi Dohachi III and Kanzan Denshichi (who made the dishes for the imperial table). In 1867, with the fall of the Edo government, he opened his kiln in Eastern Kyoto. Much prized at home, he was also recognized abroad at the Amsterdam, Paris and Chicago World Expositions. With an emphasis on Awata and Asahi wares of Kyoto, he began to use the name Tozan around 1895. In 1917 he was named a member of the Imperial Art Academy, one of only five potters ever given that title, and like his teacher Denshichi, created the dishes from which the Imperial family would eat. He worked very closely with his adopted son, Ito Tozan II (1871-1937). He too began life as a painter, but his talent was seen by Tozan I, who adopted him and converted him to pottery, where he both succeeded and excelled as a member of one of Kyotos most well known pottery families. Although Tozan I was most well known for earthenware, Tozan II expanded the family name to become quite popular in porcelain. With only 17 years of production, works signed by him are rare. He was succeeded by his son Tozan III (1901-1970).