The Kura - Japanese Art Treasures

Robert Mangold has been working with Japanese antiques since 1995 with an emphasis on ceramics, Paintings, Armour and Buddhist furniture.
In accordance with the requests of local authorities our Kyoto gallery will be closed to visitors from April 14th until further notice.
Scroll Painting by Bamboo Artist Yamamoto Chikuryusai I

Scroll Painting by Bamboo Artist Yamamoto Chikuryusai I

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Directory: Vintage Arts: Regional Art: Asian: Japanese: Paintings: Pre 1930: Item # 1433739

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The Kura
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817-2 Kannonji Monzen-cho
Kamigyo-ku Kyoto 602-8385
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A boy in blue stands at the entrance of a woven bamboo wall surrounding a thatched cottage on this vertical landscape by the famed basket artist and literati Yamamoto Chikuryusai dated summer of 1921. Ink and light color on paper in a silk border with ivory rollers enclosed in the original signed wooden box. It is in overall fine condition, with slight toning to the paper typical of age.
Yamamoto Chikuryusai I (1868-1945) was a bamboo artist of the early modern era in Osaka. Born in year one of the Meiji era to the Yanagi clan, his former Samurai family hailed from Yodo, a castle town between Osaka and Kyoto. He later was adopted by his Sister in Law to the Yamamoto family, changing his name to Yamamoto at the time, however it was with his older brother, Yanagi Takesada that he learned basketry in their shop in Osaka. Takesada moved to Korea; for the Japanese at the time it was the New West, but Chikuryusai remained in Japan. Unlike others, Chikuryusai did not attempt to insert himself into his baskets, but, allowed his baskets a traditional elegance. He was renowned for his calligraphy, sencha aesthetic, and his elegant and reserved artistic vision. His baskets received awards at several important international expositions, and, with his two sons, Chikuryusai II and Chikken, participated in the annual Teiten/Bunten National Art Exhibitions. He served as mentor to not only his two sons but also Hamano Chikkosai, Ikeda Seiryusai, and Suemura Shobun. In 1929, he gave the artist “Go” (name) to his son but continued working under the name Shoen until his death in 1945. Work by him is held in the Asian Art Museum San Francisco, The Minneapolis Institute of Art and The Met New York among many other public and private collections.